Please answer the below as completely as possible.
1) What is the refusal to which Nagam (2016) refers to in addressing digital arts and indigenous sovereignty? How is sovereignty of place connected to the production of art?
2) What is meant by Indigenous (Mis-) representation in the Arts? What are the implications for the location of indigenous arts in popular culture?
3) What are three main points offered in the podcast on indigeneity and inauthenticity in the arts that relate to the geographies of popular culture?
4) Tamaira (2016) offers a provocative discussion on walls and the reclamation of them in Hawaii through the popular art of mural making. What is her central argument and do you agree?
5) You viewed two examples of popular indigenous art or performance. One in the context of New Mexico and the other in Winnipeg, Canada. What is similar and what is different particularly in relationship to landscape and the prospect of de-colonizing?
Extra Sources:
https://www.youtube.com/watch?v=GwuuFj2mpx0&ab_channel=WinnipegArtGallery (3-minute video)
https://mediaindigena.libsyn.com/indigenous-mis-representation-in-the-arts-ep-218 (1:08 Podcast)
https://mediaindigena.libsyn.com/podcast/2020/07 (1:08 Podcast)
https://www.kqed.org/arts/13882337/if-cities-could-dance-albuquerque
The post What is the refusal to which Nagam (2016) refers to in addressing digital arts and indigenous sovereignty? How is sovereignty of place connected to the production of art appeared first on My Blog.